Untitled is an exploration of movement, rhythm, and the relationships between color, texture, and form. Through an intuitive arrangement of sculptural lines, I wanted to create a composition that feels dynamic yet balanced, allowing each mark to contribute to the overall visual rhythm.

Individually hand-formed clay lines of varying lengths and colors are arranged across a textured, cradled wood panel. Variations in direction, spacing, and placement create a sense of movement, while the negative space between the marks becomes an essential part of the composition. As light moves across the raised surfaces, shifting shadows add depth and continuously change the visual experience.

This painting invites viewers to explore the rhythm of the composition, discovering new relationships between the sculptural elements with each glance.